PDF Available Here ENGL 373_2019 Course Description: In Why Indigenous Literatures Matter, Cherokee author and literary critic, Daniel Heath Justice argues that “we can’t possibly live otherwise until we first imagine otherwise (156, original emphasis). The power and art of speculative fiction (SF), a genre encompassing creative works that articulate a reality other than our own, is located in […]
Check out our 4-part audio mini-series on Indigenous new media. Produced by David Gaertner, Melissa Haberl, and Autumn Schnell. All 4 episodes available for download and streaming here.
Course description for a class I’ll be teaching at UBC in the Fall. Suggestions for readings appreciated! In Why Indigenous Literatures Matter, Cherokee author and literary critic, Daniel Heath Justice argues that “we can’t possibly live otherwise until we first imagine otherwise (156, original emphasis). The power and art of speculative fiction (SF), a genre […]
Call for Abstracts Indigenous Relationality Workshop At the annual meeting of the Prairie Political Science Association (PPSA) September 14, 2019 Treaty Seven, Banff, AB We invite scholars, students, artists, activists and community leaders to submit presentation abstracts for the Indigenous Relationality Workshop (IRW) held during the PPSA annual meeting. The IRW hopes to create a […]
On the penultimate page of her 2017 dystopian speculative fiction novel, The Marrow Thieves, Métis author and editor Cherie Dimaline evokes the sound of an echo as a means elucidate the reunification of two residential school surviours: The scene is significant for a number of reasons, not least of all because it contains the only […]
Course Description: In an interview with Liza Yeager, Anishinaabe comedian, writer, and media maker, Ryan McMahon talks about why he thinks podcasting is specifically useful medium for Indigenous storytellers: “I just think the medium is so exciting. It’s relatively inexpensive to produce; it’s a flexible creative medium that allows us to be publishers, you know? […]
The cover of The Break, Katherena Vermette’s masterful debut novel, features a portion of a painting by Métis and Mennonite artist Corinna Wollf. In the painting, a middle-aged woman stands directly facing her audience in a full-length, black dress detailed in subtle, but vibrant floral print inspired by Métis artist Christi Belcourt (“Corinna Wollf”). The […]