Author Archives: David Gaertner
Best Practices for Approaching Indigenous New Media
The following list was compiled out of the Symposium for Indigenous New Media (#SINM18), which was held as part of the Digital Humanities Summer Institute (DHSI) in June, 2018. We welcome your feedback and suggestions in the comments below. Be a good relation building meaningful relationships with community and individuals. It requires time and emotional […]
The Research Essay: 10 Tips for Success
Originally compiled for FNIS 220 These tips are for students researching creative works (e.g. poetry, novels, film, visual art, video games) in the field of Indigenous studies. After selecting your primary text (e.g. This Wound is a World, “Welcome to your authentic Indigenous experience,” A Red Girl’s Reasoning, etc.) you should: 1) Brainstorm a research question: […]
Reconciliation: “Like an Echo Turned Inside Out”
On the penultimate page of her 2017 dystopian speculative fiction novel, The Marrow Thieves, Métis author and editor Cherie Dimaline evokes the sound of an echo as a means elucidate the reunification of two residential school surviours: The scene is significant for a number of reasons, not least of all because it contains the only […]
Towards a Methodology of Closure
The colonial gaze is characterized not only by scopophilia, a drive to look, but also by an urge to penetrate, to traverse, to know, to translate, to own and exploit. The attitude assumes that everything should be accessible to those with the means and will to access them. (David Garneau, “Imaginary Space of Conciliation and […]
FNIS 220: Representation and Indigenous Cultural Politics
FNSP 220 explores the ways that Indigenous peoples seek to overcome the legacies of settler colonialism and claim sovereignty and self-determination through cultural production and critique. In this course, we will examine contemporary articulations of Indigenous identity, politics, and cultural traditions in the fields of literature, film, video games, and other modes of resurgent cultural […]
