Category Media Studies

Using DH in Indigenous Studies Classrooms: Six Sample Assignments

In an interview with Liza Yeager, Anishinaabe comedian, writer, and media maker, Ryan McMahon talks about why he thinks podcasting is specifically useful medium for Indigenous storytellers: “I just think the medium is so exciting. It’s relatively inexpensive to produce; it’s a flexible creative medium that allows us to be publishers, you know? At the […]

Recoding Relationality: Indigenous New Media and the Possibility of a Critical Digital Humanities

The below is a transcript of a talk given at the University of Melbourne in December 2018. Melbourne Talk (Slides in PDF) Watch a recording of the talk here I want to begin by acknowledging the Kulin territory that these events are taking place on. It’s my first time on this land and I am […]

Recoding Relations: Episode 1, People Over Tools

Listen to part one of Recoding Relations, a four part podcast series on Indigenous Studies and the Digital Humanities.

Recoding Relations: Dispatches from the Symposium for Indigenous New Media

David Gaertner and Melissa Haberl In June 2018, scholars, developers, artists, and community members from over twenty institutions and three continents gathered on the ancestral and unceded territory of the WSÁNEĆ, Lkwungen, and Wyomilth peoples to participate in the inaugural Symposium for Indigenous New Media (SINM). As part of the University of Victoria’s annual Digital […]

Best Practices for Approaching Indigenous Studies through the Digital Humanities

The following summary of best practices was compiled out of the Symposium for Indigenous New Media as a primer for digital humanists that want to engage with Indigenous peoples and data. It is by no means comprehensive. We hope that it can be used as springboard for deeper engagement with the literature and the community […]

Towards Closure as a Relational Methodology

The colonial gaze is characterized not only by scopophilia, a drive to look, but also by an urge to penetrate, to traverse, to know, to translate, to own and exploit. The attitude assumes that everything should be accessible to those with the means and will to access them. (David Garneau, “Imaginary Space of Conciliation and […]

Beyond the Unexpected: Land, Decolonization, and Self-Determination in Network Sovereignty

There is a famous photograph of Bedonkohe Apache leader Geronimo sitting in a Cadillac. It was taken in 1905. Geronimo was in captivity at the time, having surrendered to the US government in 1886, and the photograph was shot as a publicity stunt for Oklahoma’s Gala Day. Geronimo is behind the wheel of the car, […]

Why We Need to Talk About Indigenous Literature and the Digital Humanities

Will cyberspace enable old knowledge to be experienced and expanded or will cyberspace create the the present anew each day, so that there never again is tradition or a past? –Loretta Todd Over the holiday break, while the in-laws were transporting my family and I to an outdoor light show, I found myself caught up in […]

Bibliography for FNIS 401F: Indigenous New Media

Below is the reading list for FNIS 401F a special topics course I teach in the First Nations and Indigenous Studies Program at the University of British Columbia.  Dowell, Kristen. “Vancouver’s Aboriginal Media World.” Sovereign Screens: Aboriginal Media on the Canadian West Coast. Lincoln: University of Nebraska Press, 2013. 1-20. Fish, Adam. “Indigenous Digital Media and the […]

“Poor Impulse Control”: Remediation as a Decolonial Reading Practice

In my Indigenous new media and digital storytelling class, my students and I use remediation as a means to interrogate text and to consider what sovereignty might mean in terms of art. Remediation—refashioning one media in another—provides the opportunity to question modernist binaries between old and new, tradition and innovation, and to make art in […]