Tag Archives: Indigenous New Media
“How do I play these” (with your thumbs, asshole): Attending to the Indigenous structure of video games within the contexts of digitālis nullius
For me, the process of writing about Indigenous games begins with thinking about the relationship between gaming, code, and settler colonialism, as well as the ways in which I am complicit in what I call digitālis nullius, the erasure of Indigenous presence from technological spaces. As I hope to make evident as I progress through this blog post, code, narratology, and game mechanics are not abstract from larger conversations about settler colonialism and Indigenous sovereignty.
David Gaertner and Melissa Haberl In June 2018, scholars, developers, artists, and community members from over twenty institutions and three continents gathered on the ancestral and unceded territory of the WSÁNEĆ, Lkwungen, and Wyomilth peoples to participate in the inaugural Symposium for Indigenous New Media (SINM). As part of the University of Victoria’s annual Digital […]
Check out our 4-part audio mini-series on Indigenous new media. Produced by David Gaertner, Melissa Haberl, and Autumn Schnell. All 4 episodes available for download and streaming here.
The following list was compiled out of the Symposium for Indigenous New Media (#SINM18), which was held as part of the Digital Humanities Summer Institute (DHSI) in June, 2018. We welcome your feedback and suggestions in the comments below. 1) Be a good relation: build meaningful relationships with community and individuals and resist parachute DH-ing. […]
The colonial gaze is characterized not only by scopophilia, a drive to look, but also by an urge to penetrate, to traverse, to know, to translate, to own and exploit. The attitude assumes that everything should be accessible to those with the means and will to access them. (David Garneau, “Imaginary Space of Conciliation and […]
Will cyberspace enable old knowledge to be experienced and expanded or will cyberspace create the the present anew each day, so that there never again is tradition or a past? –Loretta Todd Over the holiday break, while the in-laws were transporting my family and I to an outdoor light show, I found myself caught up in […]
FNIS 454: Indigenous New Media and Digital Storytelling Instructor: Dr. David Gaertner Email: email@example.com Overview Following the 1997 launch of Skawennati’s (Mohawk) CyberPowWow, digital space has become a vital new territory for the resurgence of Indigenous storytelling and cultural practice: “We have signed a new treaty,” Cree artist Archer Pechawis wrote of this period, “and […]
Below is the reading list for FNIS 401F a special topics course I teach in the First Nations and Indigenous Studies Program at the University of British Columbia. Dowell, Kristen. “Vancouver’s Aboriginal Media World.” Sovereign Screens: Aboriginal Media on the Canadian West Coast. Lincoln: University of Nebraska Press, 2013. 1-20. Fish, Adam. “Indigenous Digital Media and the […]
“Games 10,000 years in the Making.” -Slogan for Upper One Video Games, the first Indigenous Owned Video Game Company in the United States and creators of, Never Alone. When it comes to Indigenous-made video games what is the “new” of New Media. The 2014 video game Never Alone has been lauded as cutting-edge gaming (Peckham) and […]
Timetraveller™ is a love story. It’s a piece of science fiction. It’s a history of colonialism and Indigenous resistance. But of all these things Timetraveller™ is a story about media and remediation. This is not to say that the work is more of an aesthetic than political piece. It is to say, however, that the […]