
Conceived as re-joining, reconciliation is about groups who have been separated by historical injustice finding ways to cooperatively share space, both literal and epistemological. Apology is one aspect of that dialectic, but forgiveness—the discourse of the survivor—has been instrumental in… Read more

The Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada is now available in paperback via UBC Press. Some of the chapters were developed out of writing that I first shared on this blog. For instance the... Read more

For me, the process of writing about Indigenous games begins with thinking about the relationship between gaming, code, and settler colonialism, as well as the ways in which I am complicit in what I call digitālis nullius, the erasure of… Read more

It is an understatement to say that this hunger for resources has not abated with time. xwelítem hunger may have begun with gold, but it quickly extended to forests, the water, and of course the land itself. In the twentieth... Read more
As a final, “in-class,” assignment, the students in my knowledge dissemination course were charged with brainstorming 3 things they wished instructors would improve on in their online teaching. They were then asked to prototype a knowledge dissemination plan to... Read more

Composition courses can be some of the most challenging for students, particularly when they are embedded within a specific discipline. In this post, I share an open letter that I wrote for students in “Writing for Indigenous Studies” (FNIS 300),... Read more
Dear Colleagues, This is a short post summarizing some of the research I have done over the past few days in preparation to move my UBC classes online. I owe a debt of gratitude to all of the generous scholars... Read more

David Gaertner and Melissa Haberl In June 2018, scholars, developers, artists, and community members from over twenty institutions and three continents gathered on the ancestral and unceded territory of the WSÁNEĆ, Lkwungen, and Wyomilth peoples to participate in the inaugural... Read more

Joshua Whitehead’s inaugural book of poetry, Full-Metal Indigiqueer is a series of poems told through Zoa, a trickster figure rendered through the lens of technology. Whitehead combines the figures of the singularity, virus, and hacker into a narrator that inhabits... Read more

Below are definitions of Indigenous speculative fiction brainstormed at the end of term by students in English 373: Indigenous Speculative Fiction. You can read the syllabus for that class, including the reading list that these definitions are built from, here.... Read more