“How can I share this?”: Sky Dancer Louise Halfe and the Poetics of the unsayable

“Listen to the bones”      -Louise Halfe, Blue Marrow Sky Dancer Louise Bernice Halfe breathes life into silence. For more than twenty-five years, Halfe, who is Cree, from the Saddle Lake reserve and Treaty Six territory, has used Cree poetics... Read more

Theatre of Regret Now Available in Paperback

The Theatre of Regret is now available in paperback from UBC Press. Read more

“Riding English”: Tradition and Innovation in Louise Bernice Halfe’s Blue Marrow

Louise Bernice Halfe circa the publication of the M&S edition of Blue Marrow (1998). At the beginning of the long poem Blue Marrow, âcimowinis (the keeper of the stories) imagines and introduces nôhkom Emma, a strong-willed, adventurous, grandmother whom, because of her own light... Read more

sehtoskakew: “Aboriginal Principles of Witnessing” in the Canadian TRC

Witnessing and testimony are an essential component of every Truth and Reconciliation Commission (TRC) and the Canadian TRC is no exception. However, these key terms are ideologically loaded and have historically excluded Indigenous knowledge systems (for instance Delgamuukw v. British Columbia).... Read more

“Memories and Songs”: The Work of Mourning in I Knew Two Métis Women

Gregory Scofield’s I Knew Two Métis Women mourns the loss of a mother and an aunt. The title itself, in its use of the past tense, alerts the reader to the book’s function as eulogy. The series of poems that follow... Read more